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'HUMBLE CREATURES'



Wonderful arrangements, great musicianship, and beautiful songcraft make Einstein's Sister's Humble Creatures stand out - as one of the finer releases of the year.

There is a moving and exhilarating creativity at work here, as Einstein's Sister explore numerous styles and approaches to great success. The fuzzy drum beat that opens Come On Pariah, the spy-theme tone of Never Can Tell, the frantic staccato rhythm of This Won't Be Home Someday - Einstein's Sister leave few stones unturned.

Pure pop fans will have their breath taken away by the bouncing Mermaid Parade, thanks to its ringing guitars and fine trumpet solo that gives it a mid-period Beatles feel. What's impressive is how "at home" Einstein's Sister sound within such a specific sound only to turn around completely and offer their own takes on reggae (Solar Circle Girl), roots-flavoured rock (This Is The Day), and witty filler (the hilarious-if-short Big Brother Eye). Constants here are fine vocals from Bill Douglas, and some tremendous playing from Kerry Tucker, Andrew Brock, Martin Reyhons, and Steven Volk.

Make no mistake, Humble Creatures isn't merely a musical merry-go-round that says "hey, look what we can do!", but rather a celebration of composition that encompasses artistic style as well as a healthy dose of fun.

Who could ask for more?
(* * * * out of 5)

Claudio Sossi
November 2000




by David Fufkin
PopMatters Music Critic

With the plummeting cost of recording, manufacturing and releasing your own compact discs, the sheer volume of music that is being released grows at exponential rates. There is a lot of great stuff out there. You just have to search longer for it. A select few releases rise to the top because of professional songwriting, production and performances. This band, named after a certain horned-rimmed-glasses-wearin', Mensa-card-totin', seductive sibling of a certain man with a rumpled look and a famous brain, embodies the word pro on Humblecreatures. The songs are smart, sharp, focused, expansive and work on many levels, probably a lot like the thought process of the entire Einstein family.

From the first track, "Dandelion Heart", Bill Douglas' vocals soar with a full vibrato very reminiscent of the vocals on the great Squeeze records. Vibrato is dangerous because it can sound downright schmaltzy if the voice doesn't cut it, not the case here. Every song has a great vocal performance. The simple acoustic track, "Something True", showcases Bill's voice. The track "Mermaid Parade" is typical of this recording: the drums kick in, marching in metronome perfect time, maintaining feel without becoming robotic. The rythym tracks (bass and drums) are a highlight all over this. I am a sucker for a rythym section with perfect time. Set your watch to these guys.

Fans of Difford and Tillbrook, Elvis Costello (listen to "Never Can Tell"), XTC, and any bands that have mastered the three minute pop format will like this. Not enough bands who release CDs have the skills, patience and good taste to spend the time necessary to release something on their own that is done to such high standards. Many indie bands could learn by following Einstein's Sister's example. Hard work and time was spent on Humblecreatures. The key is always in the details without letting it shackle you creatively: that was a major tenet of Einstein's thought process, and it works well for these guys.

Did Einstein even have a sister? If you did, can't you see those glasses? Man, those brainy, geeky intellectual girls are the only ones for me. You always want your partner smarter so that you can rise to their level.



'LEARNING CURVES'


If good fortune smiles upon these guys and the masses become exposed to 'Learning Curves', youngsters all over the world will exclaim "when I grow up, I want to be just like Einstein's Sister!" - DAVID BASH, Amplifier
 
 
"Quickly elbowing its way up the charts of my Fave CD of '99 list, Einstein's Sister's 'Learning Curves' is genius pop that sounds like early Elvis Costello taking tea with Squeeze's Glenn Tilbrook while Lennon and McCartney fuss over the scones in the kitchen." - JOHN M. BORACK, Goldmine magazine


This is a superb disc ... It's that simple!” - ERIC SORENSEN, Blank Pages   


Here is a release that is going to be at the top of many a Top 10/20 list come December...and, most likely, my own.”- BRUCE BRODEEN, Not Lame


 



 

 

 

 


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