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'HUMBLE
CREATURES'
Wonderful arrangements, great musicianship, and beautiful songcraft
make Einstein's Sister's Humble Creatures stand out - as one of the
finer releases of the year.
There is a moving and exhilarating creativity at work here, as Einstein's
Sister explore numerous styles and approaches to great success. The
fuzzy drum beat that opens Come On Pariah, the spy-theme tone of Never
Can Tell, the frantic staccato rhythm of This Won't Be Home Someday
- Einstein's Sister leave few stones unturned.
Pure pop fans will have their breath taken away by the bouncing Mermaid
Parade, thanks to its ringing guitars and fine trumpet solo that gives
it a mid-period Beatles feel. What's impressive is how "at home" Einstein's
Sister sound within such a specific sound only to turn around completely
and offer their own takes on reggae (Solar Circle Girl), roots-flavoured
rock (This Is The Day), and witty filler (the hilarious-if-short Big
Brother Eye). Constants here are fine vocals from Bill Douglas, and
some tremendous playing from Kerry Tucker, Andrew Brock, Martin Reyhons,
and Steven Volk.
Make no mistake, Humble Creatures isn't merely a musical merry-go-round
that says "hey, look what we can do!", but rather a celebration of
composition that encompasses artistic style as well as a healthy dose
of fun.
Who could ask for more?
(* * * * out of 5)
Claudio Sossi
November 2000
by David
Fufkin
PopMatters
Music Critic
With
the plummeting cost of recording, manufacturing and releasing your
own compact discs, the sheer volume of music that is being released
grows at exponential rates. There is a lot of great stuff out there.
You just have to search longer for it. A select few releases rise
to the top because of professional songwriting, production
and performances. This band, named after a certain horned-rimmed-glasses-wearin',
Mensa-card-totin', seductive sibling of a certain man with a rumpled
look and a famous brain, embodies the word pro on Humblecreatures.
The songs are smart, sharp, focused, expansive and work on many
levels, probably a lot like the thought process of the entire Einstein
family.
From
the first track, "Dandelion Heart", Bill Douglas' vocals soar with
a full vibrato very reminiscent of the vocals on the great Squeeze
records. Vibrato is dangerous because it can sound downright schmaltzy
if the voice doesn't cut it, not the case here. Every song has a
great vocal performance. The simple acoustic track, "Something True",
showcases Bill's voice. The track "Mermaid Parade" is typical of
this recording: the drums kick in, marching in metronome perfect
time, maintaining feel without becoming robotic. The rythym tracks
(bass and drums) are a highlight all over this. I am a sucker for
a rythym section with perfect time. Set your watch to these guys.
Fans
of Difford and Tillbrook, Elvis Costello (listen to "Never Can Tell"),
XTC, and any bands that have mastered the three minute pop format
will like this. Not enough bands who release CDs have the skills,
patience and good taste to spend the time necessary to release something
on their own that is done to such high standards. Many indie bands
could learn by following Einstein's Sister's example. Hard work
and time was spent on Humblecreatures. The key is always
in the details without letting it shackle you creatively: that was
a major tenet of Einstein's thought process, and it works well for
these guys.
Did
Einstein even have a sister? If you did, can't you see those glasses?
Man, those brainy, geeky intellectual girls are the only ones for
me. You always want your partner smarter so that you can rise to
their level.
'LEARNING
CURVES'
If good fortune smiles upon these guys and the masses become exposed
to 'Learning Curves', youngsters all over the world will exclaim "when
I grow up, I want to be just like Einstein's Sister!" - DAVID
BASH, Amplifier
"Quickly elbowing its way up
the charts of my Fave CD of '99 list, Einstein's Sister's 'Learning
Curves' is genius pop that sounds like early Elvis Costello taking
tea with Squeeze's Glenn Tilbrook while Lennon and McCartney fuss
over the scones in the kitchen." - JOHN M. BORACK,
Goldmine magazine
This
is a superb disc ... It's that simple!” - ERIC
SORENSEN, Blank Pages
Here is a release that is going
to be at the top of many a Top 10/20 list come December...and, most
likely, my own.”- BRUCE BRODEEN, Not Lame
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